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At Devcon eight in Mumbai, the Music Sanctuary made a simple idea tangible: a musician could begin, a listener could answer, and somebody who had never performed could find a place in the circle. The public record describes about thirty-five artists across the third through sixth of November, twenty twenty-six, with the closing ceremony in the room on the sixth. Those numbers describe that public event, not a census or a member roll. The Mandala Room preserves thirty-five official photographs. It is an album rather than meeting audio, a transcript, or proof of consent to new uses. The mission underneath the room is participation: share instruments, attention, skills, and credit, while leaving the door open to the next person.